Opus Pocus – Sélène Saint-Aimé “Creole Songs”

Creole Songs is included because the Léspas page frames the concert around créolité and explicitly links the repertoire to Louisiana, the Antilles and La Réunion. The event also features Bino Waro on percussion, giving the Saint-Paul date a direct island connection inside a wider Creole jazz conversation. Rather than presenting it as a generic jazz concert, the publication row emphasizes the exploration of Creole memory, traditional repertoires and the way La Réunion enters the performance through both theme and guest musician.