The Orchestre Région Centre-Val de Loire/Tours brings symphonic music to Ferrières-en-Gâtinais for the close of its heritage programme. Associated with the Opéra de Tours–Grand Théâtre, the ensemble represents the region’s orchestral life. Its performance brings the sound of a full orchestra into dialogue with the historic religious setting of the Saint-Pierre-et-Saint-Paul abbey church.
Tag: instrumental-music
Sainte-Cécile with Beaulieu-sur-Loire’s Fanfare
Sainte-Cécile, patron saint of musicians, provides the occasion for Beaulieu-sur-Loire’s Harmonie-Fanfare to gather in concert. The local ensemble plays a varied instrumental repertoire, placing its musicians at the centre of a community celebration. Free admission opens the performance to residents and other listeners, sustaining the town’s musical tradition through a shared patronal observance.
Microfolie Vesoul: Art and Origines Symphonic
Digital collections in Vesoul trace the crafts of Auvergne-Rhône-Alpes and Nouvelle-Aquitaine’s art and landscapes. “Tales and Fantasy” pairs paintings, sculptures and books, while National Collection #1 draws on the Louvre, Versailles and Centre Pompidou. A screening of “Origines Symphonic” features accordionist Stéphane Farge, his quartet and the Limoges Opera Symphony Orchestra.
Concert de Noël: Orgue et biniou in Pont-l’Abbé
Per Vari Kervarec, Tony Dudognon and Brieuc Colleter are named on the bill for this Christmas concert in Pont-l’Abbé. The instrumental pairing places the biniou, a Breton bagpipe, alongside the organ. Organized by the Friends of the Organ, the concert welcomes voluntary contributions from listeners.
Le Camber Traditional Music Concert in Sérent
A bombarde and three saxophones share the ensemble at Le Camber’s traditional music concert in Sérent. Guitar, bass and drums complete the line-up, bringing contrasting instrumental colours to the performance. The group comes from the Questembert School of Traditional Music and plays as part of Sérent’s Journées Européennes du Patrimoine programme.
Découverte des instruments de musique de George Sand par les
Les Sonneurs de la vallée open George Sand’s musical world through the traditional instruments of rural Berry. Bagpipes, hurdy-gurdies and related sounds lead the encounter, allowing listeners to hear the colors that accompany the writer’s evocations of village life and popular celebration. The presentation combines performance with an accessible account of how these instruments work and what they carried within local social life. Saint-Doulchard gives the musicians a setting to connect living practice with the country novels and cultural landscape associated with Sand. Each timbre contributes something distinct: drone, rhythm and melody build a collective sound rooted in transmission as well as reconstruction. The session gives audiences a concrete way to understand why folk music remained central to Berry’s festive and literary imagination.
Airs et Songes de la Traversière
Gabrielle Rubio brings the baroque transverse flute to Airs et Songes de la Traversière at Beaune’s Hôtel-Dieu. Hiéryne Lassale joins her on viola da gamba, Thibaut Roussel on theorbo and baroque guitar, and Cécile Chartrain on harpsichord. Rubio’s dual practice as flautist and guitarist reflects her training at the Conservatoire National Supérieur de Musique and the Centre de Musique Baroque de Versailles.
Les Mercredis en fête in Tréguier: Music Below the Cathedral
Mercredi en fête spreads live music across Tréguier’s central streets and squares. Le Pottier and L’Haridon, Skol sonerien Landreger, Ducasse, La Waso, Youl and Slivovitsa move the programme from Breton sonneurs to brass-band colour and wider dance rhythms. By linking several stages within the historic town centre, the gathering lets audiences circulate between local musical practice and contrasting contemporary sounds.
Les Nuits Celtiques de Peniti in La Forêt-Fouesnant
Les Nuits Celtiques de Peniti brings Breton music to La Forêt-Fouesnant through an open-air concert setting. Bagad de Lann-Bihoué gives the programme a strong sonneur identity, with pipes and drums carrying the sound of Breton public ceremony. Crêpes and refreshments support the festive frame while the music remains the main cultural anchor.
Musik Europa Breizh in Clohars-Fouesnant: Baroque Showcase
Musik Europa Breizh’s Los pasos perdidos follows the breath of flute traditions across medieval Europe and pre-Columbian America. Pierre Hamon moves among recorders, frestel, double and triple flutes, and instruments made from bone, reed, bamboo and wood, while Ananda Brandão adds percussion and voice. The program treats early sound as a path toward meditation, trance and jubilation within Clohars-Fouesnant’s musical life.