Paris-Varsovie: le cabaret musical in Bayonne imagines a bridge between French chanson and Polish musical memory. Performed by Ewunia and her pianist, the show plays with the idea of Piaf, Brel, Gainsbourg and Chopin meeting across languages and styles. At La Luna Negra, the event has a clear cabaret identity: voice, piano, humour and cultural crossing in an intimate live venue.
Tag: Live Performance
Festival de la Vézère – Paul Smith, Romane Belliot et l’Ensemble Vocal Evna
Festival de la Vézère – Paul Smith, Romane Belliot et l’Ensemble Vocal Evna centers on PERFORMER, CHEF DE COEUR, INNOVATIVE AND CREATIVE COMPOSER, PAUL SMITH IS ALSO AN INSPIRING TEACHER AND AN OUTSTANDING FACILITATOR! In Aubazines, the named performers, repertoire or sound world give the concert a clear musical identity. Its regional interest comes from the specificity of the program and the local venue that carries it.
bOta in Saint-Pée-sur-Nivelle
BOta in Saint-Pée-sur-Nivelle brings together The Elirale-Pantxika Telleria Company invited two of its young artists, Joana Millet-Arias and Jon Vernier-Bareigts, to create a street performance for audiences of. In Saint-Pée-sur-Nivelle, music, dance or song becomes a public act of transmission, especially where Basque, Creole or local repertoires are named. The event matters because it keeps oral and rhythmic traditions visible in shared space.
Trio Turbulences: Que Perce le Coeur
Trio Turbulences: Que Perce le Coeur centers on Trio Turbulences in Que Perce le Coeur, moving through D’India, Peri, Merula, Palestrina, Frescobaldi and Strozzi. In Saintes, the named performers, repertoire or sound world give the concert a clear musical identity. Its regional interest comes from the specificity of the program and the local venue that carries it.
A Venetian in Paris at Festival de Saintes
A Venetian in Paris at Festival de Saintes centers on William Shelton, Alice Trocellier and Léo Brunet performing A Venetian in Paris, with music by Bembo, Strozzi and Casulana. In Saintes, the named performers, repertoire or sound world give the concert a clear musical identity. Its regional interest comes from the specificity of the program and the local venue that carries it.
il Convito: Bach Cantatas for Alto and Organ
Il Convito: Bach Cantatas for Alto and Organ is shaped by a program conducted by Maude Gratton Cantatas for Alto and Organ J.S. Bach. The sacred or historic setting at Cathédrale Saint-Pierre, Saintes gives the program architectural weight as well as musical focus. For Saintes, it links repertoire, performers and place in a way that belongs naturally to Nouvelle-Aquitaine’s abbey and church concert tradition.
I Gemelli at Festival de Saintes
I Gemelli at Festival de Saintes brings a program conducted by Mathilde Etienne, with Emiliano Gonz%E1lez Toro, tenor Canto al sole Monteverdi, Caccini, Marini, Merula, Castaldi, Sances, Frescobaldi? to Abbaye-aux-Dames la cité musicale, Saintes. The named artists, repertoire and setting make the event legible inside Saintes’s live-music circuit. Together, those details give the performance cultural substance and a clear place in the region’s music calendar.
Au Fil des Ostensions: Sacred Textiles in Saint-Yrieix
Au Fil des Ostensions: Sacred Textiles in Saint-Yrieix is shaped by Eighteen speakers from France and Belgium (curators, art historians, restorers and other professionals) will talk about the Limousin Ostension tradition, with a particular focus on sacred fabrics. The sacred or historic setting at Salle Attane, Rue des Plaisances, 87500 Saint-Yrieix-la-Perche gives the program architectural weight as well as musical focus. For Saint-Yrieix-la-Perche, it links repertoire, performers and place in a way that belongs naturally to Nouvelle-Aquitaine’s abbey and church concert tradition.
Auroras Mestizas in Saintes
Auroras Mestizas in Saintes brings Concert: Love Against Divine Storms Scarlatti, Ceruti, Aparicio, Porpora to Auditorium de la Cité Entrepreneuriale, Saintes. The named artists, repertoire and setting make the event legible inside Saintes’s live-music circuit. Together, those details give the performance cultural substance and a clear place in the region’s music calendar.
Festival de Saintes: Jeune Orchestre de l’Abbaye
Festival de Saintes: Jeune Orchestre de l’Abbaye centers on the Jeune Orchestre de l’Abbaye under Victor Julien-Laferrière, with Liszt’s First Piano Concerto and Schumann’s Third Symphony. In Saintes, the named performers, repertoire or sound world give the concert a clear musical identity. Its regional interest comes from the specificity of the program and the local venue that carries it.