Category: events

Les défenses côtières allemandes de Dinard studies the bunkers and coastal defences built around Dinard during the Second World War. Organised with Histoire et Patrimoine du Pays de Dinard, the town and the Brittany region, the exhibition places wartime architecture inside a local landscape. Parc de Port Breton gives the subject a public setting where military history and seaside heritage can be read together.

Partir en fumée presents Gabrielle Manglou’s drawings, photographs, volumes, archival images and found objects in Morlaix. Born in La Réunion and based in Locmiquélic, the artist works with Creole culture, fictional storytelling and forgotten narratives. The exhibition gives Brittany a meeting point with island memory, archival fragments and contemporary visual practice.

Emmanuel Lepage’s exhibition presents the sea through the eye of a comic artist named Official Painter of the Navy. Original works connect Breton reefs, the Ar-Men lighthouse and distant ocean voyages, showing how drawing can hold both documentary force and maritime emotion. The exhibition gives Guingamp a wide seascape: local coast, expedition memory and graphic art together.

These guided walks explore the history of flax in Brittany, from cultivation to processing. The walks are open to different levels of Breton language knowledge, making the outing both a nature visit and a language setting. Flax gives the route a concrete cultural thread, linking plant, textile practice and regional vocabulary in the landscape.

Plounéour-Ménez farmers market assembles a broad range of organic and locally made goods at the entrance to the village. Cow, ewe and goat cheeses sit beside vegetables, breads, herbal teas, chocolate, crêpes, honey and beef. Plants, wine and sewn work widen the mix beyond food, creating a useful portrait of small producers and makers working around the Monts d’Arrée.

Le vol du coeur d’Anne de Bretagne invites families into a playful search through the Breizh Odyssee museographic space. The story of Duchess Anne’s heart reliquary gives the activity a strong historical anchor, while the investigation format helps younger visitors handle heritage as a puzzle. The investigation makes Breton ducal memory active and accessible, grounding the game in a named historical figure and object.

Rendez-vous – Emgavioù in Landévennec offers a cycle of talks rooted in local history, language and Breton cultural questions. The title itself brings French and Breton together, signalling a bilingual frame for public knowledge. The meetings give the abbey village a regular forum where scholarship, memory and regional identity can be discussed.

YS by Benjamin Deroche revisits the Celtic legend through photography, painting and a trail of reproductions across the Landivisiau region. The work draws on sources such as Émile Souvestre’s Foyer Breton, Théodore de la Villamarqué’s Barzaz Breiz and Charles Guyot’s adaptations. Guimiliau’s interpretation centre gives the exhibition a heritage frame where myth, landscape and contemporary image-making meet.