Lévénès de Cléden uses the composition and colour of classical painting to photograph people in Breton costume. Garments from Poher, Cap Sizun, the Rance and Aven have been collected, restored or reconstructed. QR codes open the stories and archives behind each portrait, including the costumes worn by two dancers from Fouesnant.
Tag: photography
Villa Algira George Sand Memory
Villa Algira opens a temporary exhibition room within George Sand’s home in Gargilesse. Unpublished archive documents and photographs provide the core material, giving visitors access to traces that are usually absent from familiar accounts of the writer. Seeing them inside the house changes their scale and meaning: private papers and images remain connected to rooms, village and landscape; they do not become detached museum objects. The presentation offers a close encounter with how memory is kept, selected and shared in a place still identified with Sand. Gargilesse and the Creuse valley supply the surrounding cultural geography, while the villa gives that geography a personal center. The exhibition therefore joins archival discovery with the experience of entering a home that remains part of Berry’s literary map.
Harmonie sauvage at Maison de Loire
Harmonie sauvage brings work by Jean-Claude Picard and Daniel Guy to the Maison de Loire in Jargeau. The pairing places two named artistic practices within a center devoted to the river environment, creating a dialogue between visual art and the Loire setting. Wildlife and biodiversity provide the shared frame, linking the exhibition to ways of observing the living world along the river corridor. Visitors encounter the artists as a deliberate pairing, not as unrelated displays, with the Maison de Loire giving their work a precise regional context. That institutional setting connects contemporary expression with Jargeau’s landscape and the cultural attention given to the riverbanks. The meeting of art, place and environmental awareness gives the exhibition its character, carried by the distinct contributions of Picard and Guy.
Empreintes et Paysages at Gargilesse
Empreintes et Paysages brings together acrylic painting and gum bichromate printing in a tribute to George Sand at Gargilesse-Dampierre. The pairing places a contemporary painterly practice beside a non-silver photographic process associated with nineteenth-century image making. Delajot and Mengual approach landscape through distinct materials, allowing pigment, texture and photographic chemistry to answer one another across the exhibition room. Sand provides the cultural thread: her attachment to Berry and her attentive writing about rural places give the displayed landscapes a precise literary setting. The exhibition treats nature as more than decorative scenery, inviting close attention to marks, surfaces and the ways a place leaves an imprint. Its setting in Gargilesse strengthens that conversation between artistic technique, local landscape and the writer’s enduring presence.
Champ Bressan Farm Heritage Days
Guided visits open the Ferme du Champ bressan’s farmhouse during the ecomuseum’s special open days. An exhibition of vintage photographs evokes the interwar world of this Bresse home. A workshop devoted to a photographic technique moves from looking at images to working with the process behind them, combining the farm visit with practical image-making.
Escales Photos in Mor Braz
Escales Photos extends the Mor Braz photography festival through the Quiberon Bay area, linking Plouharnel with Locmariaquer, Arzon, Belle-Île-en-Mer and Houat. The Plouharnel program places Bretagne Monochrome beside Nadia Ferroukhi’s island work, moving between black-and-white studies and sea-bound viewpoints. Yoann Segalen, Mickaël Pouliquen, Serge Picard and Irène Jonas turn Brittany into a subject of texture, coastline and contemporary gaze.
Aboard a Breton Trawler
Conférence “Une campagne à bord d’un chalutier” centres on Jean-Paul Mathelier’s time aboard fishing boats. His photographs capture Breton sailors through work gestures, deck routines and suspended moments at sea. Held in the Marinarium context, the talk connects image-making with maritime labor, giving the fishing port’s memory a human and visual scale.
Baisers ravivés at Abbaye du Relec
At Abbaye du Relec, historic postcards from the “Bons Baisers de Plounéour” exhibition reopen a window onto Plounéour-Ménez and Breton life a century ago. A focused visit draws out details in the photographs, captions and messages, from familiar landscapes to the gestures and routines of local communities. Seen within the former abbey, these small pieces of correspondence connect private memory, regional history and the changing image of rural Finistère.
Atelier d’alguier en cyanotype
Breton coastal seaweed becomes both specimen and printing tool in this hands-on cyanotype workshop. Participants arrange natural algal forms on light-sensitive paper, then use the monochrome process to make deep-blue botanical images with each frond and branch held in sharp silhouette. The session joins marine observation, photographic craft and the living textures of Plouguerneau’s shore, producing a personal alguier rooted in local sea flora.
Galerie Metairie Visit
Galerie Metairie in Scaer brings together minerals, historic cameras, paintings, photographs and collections assembled across different fields of interest. Breton costumes give the display a strong regional anchor, preserving forms of dress and material detail within a wider cabinet of curiosities. The unusual juxtapositions reward close looking and show how a small local gallery can hold fragments of social, technical and visual memory.